Shah Rukh Khan's Pathaan has experienced its first day below Rs 1 crore at the box office on its 34th day of release. However, the film's success continues with a total collection of over Rs 170 crore. The film has received mixed reviews from critics and audiences alike, but its star power and action sequences have helped it maintain a steady pace at the box office.
Pathaan Box Office Collection Day 34: Shah Rukh Khan’s latest film after a gap of five years has completed a successful one-month run at the Box Office. Pathaan has crossed rs 500 crore and became the only Bollywood film to collect this much in a nett figure.
The Siddharth Anand directorial entered its fifth week last Friday and this Monday was the first time that it collected less than Rs 1 crore in a day. Here's a detailed analysis and day-wise breakup of Pathaan's box office collections.
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Week 1: Rs 364.15 crore
Week 2: Rs 94.75 crore
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Mar 20, 2026Week 3: Rs 46.95 crore
Week 4: Rs 14.31 crore
Week 5: Friday: Rs 1.02 crore
Saturday: Rs 1.98 crore
Sunday: Rs 2.50 crore
Monday: Rs 0.75 crore (early estimate)
Total: Rs 526.41 crore
Despite its initial hype, Pathaan opened to mixed reviews from critics and audiences alike. While some praised the film's action sequences and performances, others criticised its convoluted storyline and lack of emotional depth. Nonetheless, the star power of Shah Rukh Khan and the film's impressive action sequences helped it maintain a steady pace at the box office.
In its first week of release, Pathaan earned a total of Rs 125.68 crore nett. The film continued to perform well in its second week, earning an additional Rs 32.04 crore nett. However, its collections began to slow down in the following weeks, with the film earning Rs 10.76 crore nett in its third week, and Rs 3.18 crore nett in its fourth week.
On its 34th day of release, Pathaan experienced its first day below Rs 1 crore at the box office, earning just Rs 85 lakhs nett. However, the film's total collection still stands at over Rs 170 crore nett, making it one of the top-grossing films of the year so far.
The success of Pathaan at the box office can be attributed to a number of factors. First and foremost, the star power of Shah Rukh Khan has played a major role in attracting audiences to theatres. Despite his absence from the big screen for several years, Khan remains one of the biggest draws in Indian cinema, and his fans have been eagerly awaiting his return.
Secondly, the film's impressive action sequences have been a major draw for audiences. Pathaan features high-octane chase scenes, gun battles, and fight sequences that have impressed fans of the action genre. The film's action scenes have been choreographed by renowned international stunt coordinator, Olivier Schneider, who has worked on Hollywood blockbusters such as Taken and Fast & Furious 6.
Finally, the film's marketing campaign has also played a key role in its success at the box office. Yash Raj Films has spared no expense in promoting the film, with extensive social media campaigns, press events, and celebrity endorsements. The film's trailer was also widely shared on social media, generating buzz and anticipation among fans.
Looking ahead, it remains to be seen whether Pathaan will continue to perform well at the box office in the coming weeks. With several major releases lined up in the coming months, including Akshay Kumar's Ram Setu and Aamir Khan's Laal Singh Chaddha, the competition at the box office is likely to become even more intense. However, with the star power of Shah Rukh Khan behind it, Pathaan could still manage to hold its own.
Shah Rukh Khan's Pathaan has experienced its first day below Rs 1 crore at the box office on its 34th day of release. However, the film's success continues, with a total collection of over Rs 170 crore nett. The film's star power, impressive action sequences, and marketing campaign have all contributed to its success at the box office. While its future at the box office remains uncertain, Pathaan is likely to remain one of the most talked-about releases of the year.
