The return of the iconic Parekh family.
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Join Telegram ChannelThe return of the iconic Parekh family in “Khichdi 2: Mission Paanthukistan” brings with it a wave of nostalgia, but unfortunately, the film falls short of capturing the essence that made the television series a beloved classic. Aatish Kapadia attempts to translate the magic of “Khichdi” from the small screen to the big screen, but the result is a mixed bag that leaves fans yearning for the simplicity and charm of the original show.
Quirky Beginnings and Wasted Potential
The film kicks off with a quirky disclaimer – “based on false events” – a clear indicator of the slapstick humor that is about to unfold. However, within the first few minutes, it becomes apparent that the child actors playing Jacky and Chakki, who are introduced with much fanfare, are merely utilized for a brief moment in the film. This raises the question of why their inclusion was necessary if they weren’t going to play a significant role in the storyline.
The Parekh family is roped into a mission by the Thodi Intelligence Agency to liberate Paanthukistan from its tyrannical dictator, portrayed by Rajeev Mehta with a beard that makes him look like Praful. The film’s main plotline revolves around the family’s comically exaggerated attempts to accomplish this mission.
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Script Analysis: Slapstick Overdrive
Aatish Kapadia shamelessly dives into the realm of slapstick humor, unapologetically embracing its absurdity. The film elevates slapstick to such an extreme that it becomes a matter of questioning whether such deliriousness was necessary. The distinctive flavor that “Khichdi” brought to the television screen is lost in this overdrive of screwball punchlines and berserk gags.
The transition from a television show to a feature film proves challenging, especially in maintaining a high level of comedic engagement for a prolonged duration. The movie leans heavily on Khichdi-stamped one-liners, but the diminishing marginal utility becomes evident as the plot progresses. What may work in short TV episodes loses its charm when stretched over a two-hour runtime.
Star Performances: Nostalgia Intact, but Misses the Mark
The cast, including Supriya Pathak Kapur as Hansa, Rajeev Mehta as Praful, Anang Desai as Babuji, and Jamnadas Majethia as Himanshu, showcases an admirable commitment to their characters. Remarkably, none of them seem to have aged a day since the original show aired, highlighting their timeless talent. Supriya Pathak Kapur’s portrayal of Hansa stands out as she effortlessly carries the weight of her character’s quirks.
However, the film introduces Kirti Kulhari as Parminder, an unnecessary addition that adds little to the mix. Vandana Pathak as Jayshree and Himanshu’s character miss the mark, failing to capture the quirkiness that endeared them to the audience in the television series.
Direction and Music: Television Tropes on the Big Screen
Aatish Kapadia, having been deeply involved in creating the original “Khichdi” series, understands the characters inside out. However, his attempt to give the film an episodic touch, reminiscent of television storytelling, does not translate well to the big screen. The pacing and structure feel out of place, making it evident that the story is more suited to the episodic format.
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Chirantan Bhatt’s songs contribute little to the film, becoming an unnecessary addition to the chaotic narrative. Raju Singh’s background score, loud and uninspired, fails to complement the comedic brilliance delivered by the talented cast.
A Mixed Bag of Nostalgia and Disappointment
“Khichdi 2: Mission Paanthukistan” treads on the thin line between nostalgia and disappointment. While fans of the original series may relish the opportunity to see their favorite characters back in action, the film struggles to recapture the magic that made “Khichdi” a household name. The overreliance on slapstick humor, coupled with the awkward transition from TV to film, leaves viewers with a longing for the simplicity and effectiveness of the original show. Perhaps some things are better left on the small screen, where they found their true calling.
